From the performance arts, rhythm is the time of events on an individual scale; of musical sounds and silences which exist over time, of those measures of a dance, or the meter of spoken speech and poetry. In certain performing arts, for example hip hop music, the rhythmic delivery of these lyrics is among the most crucial elements of this design.

Rhythm can additionally refer to visual demonstration, as“timed movement through space” (Jirousek 1995) plus a frequent language of routine combines rhythm with geometry. In the last several decades, meter and rhythm are becoming a significant subject of research among music scholars.

Recent work in these areas comprises novels by Maury Yeston (1976), Fred Lerdahl and Ray Jackendoff(Lerdahl and Jackendoff 1983), Jonathan Kramer, Christopher Hasty (1997), Godfried Toussaint (2005), William Rothstein (1989), Joel Lester (Lester 1986), and Guerino Mazzola. Rhythm (from Greek ῥυθμός, rhythmos,”any routine recurring movement, symmetry” (Liddell and Scott 1996)) normally means a“motion marked with the controlled series of weak and strong components, or opposite or alternative states” .

This overall significance of routine recurrence or routine in time may apply to a vast array of cyclical all-natural phenomena using a periodicity or frequencyof whatever from microseconds to many moments (like all the riff at a rock music tune ); into a few minutes or hours, or, even in the extreme, even over several decades.

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